{The late Martin L. Gross wrote ‘The End of Sanity: Social and Cultural Madness in America” in 1997. Like an upscale Archie Bunker, Gross's rose-colored view of the American past could be summarized: “People seemed to be content / fifty dollars paid the rent / freaks were in a circus tent / those were the days.”} *
Martin L. Gross, from The End of Sanity (1997):
Public opinion represents the ‘Majority Culture,’ one made up of the traditional values to which most Americans adhere, even cherish. But in the universe of America’s ‘New Establishment,’ that has less currency than the ‘Dominant Culture,’ one perhaps thirty years in the making, that applauds virtually every infringement on the community’s rights in favor of ‘social individualism,’ a perversion of traditional freedom and individuality.
This new Dominant Culture has abrogated the rights of society and the Majority Culture to define what is reasonable in both thought and action. The two cultures, which exist side by side, are in daily conflict. But the Dominant one, though divorced from the feelings and opinions of most Americans, is winning out in the public arena.
This New Establishment doctrine seeks to remake American culture—and by extrapolation the world’s—in its own image. Unfortunately, it is not isolated in academe or the government but is being brilliantly marketed through every possible outlet, from newspapers to films, from Broadway to television. It bombards our psyches with millions of images that confuse us and that many find hard to resist. This selling of the Dominant Culture, even when its tenets are patently absurd, has been so successful that the New Establishment has cleverly managed to dictate to Americans how they should perceive themselves and their fellow citizens.
The Dominant Culture hopes to generate a mindset that will make it acceptable, even psychologically rewarding, to continue to grant enormous privileges to those people on the fringes of the mainstream, while penalizing the mainstream itself. That mainstream—the great army of the ignored middle class—has in fact become the beast of burden for the new coalition of the elite and the so-called victim class, those who are sensitive to supposed exploitation and those who are supposedly exploited. The middle class who pays for it all, in both money and lost equanimity, are the true victims of this Dominant Culture.
But what exactly is our Dominant Culture?
Basically, it encompasses virtually everything Americans think about, believe in, and discuss publicly. It determines which plays, movies, books, and television shows will be produced and how they will be received by the media. It even decides what is and what is not news, and how it will be presented. It also determines what is chic and what is old-fashioned and boring. It sets styles, fads, and fashions in manners and mores, even in the realm of politics and ideas. It sets up the sense of right and wrong in societal matters, and what actions should be approved or disapproved. Thus, it has enormous power.
Despite a reasonable economy, the nation finds itself in a deep psychological malaise, an ailment that can be traced almost entirely to the Dominant Culture. Some Americans, particularly those who rely on it as a secular substitute for religion, admire and embrace it. But many Americans do not, seeing it as injuring the national psyche and accelerating the decline of the civilization. Others fear it and follow the conformity of thought that it demands, thereby increasing its power.
One daily grinding factor is that the Dominant Culture, unlike any in the past, has little interest in the truth. But the astute among the public are not fooled. They know that the Dominant Culture no longer represents them as the prevalent culture once did thirty years ago. Youngsters can hardly remember that era, but they do hear of a better day from their parents and grandparents. What they glean about the former America from periodicals, old movies, and intergenerational scuttlebutt 1 rings true. It’s not just that those were simpler times, but that the psychological needs of the community were sounder and were being met. People were not merely a collection of vying, whining, hyphenated, gender-split, litigious groups as they are today.
In the 1940s, 1950s, and throughout much of the 1960s, the community was the key. Through free speech and social criticism, people expressed their opposition to conformity, which provided a natural balance in a democracy. 2 The outsider had to fight for space in the consciousness of the nation. This is as it should be. Today, it is quite the opposite. The outsider-victim is at the helm, in charge of what people are supposed to think and do. In today’s Dominant Culture, it is the everyday American and his spokespeople who have to fight for space in the collective psyche.
This is not as it should be.
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Wikipedia has no entry for Martin L. Gross (1925-2013). This obituary may be informative: Martin L. Gross, famed tax policy critic, dead in Ocala
*Charles Strouse and Lee Adams, “Those Were the Days”
1 I call dibs on Intergenerational Scuttlebutt as a band name, or maybe as a name for a beer (KettleHouse, are you listening?).
2 If someone tells you that the Fifties were a time when Americans “expressed their opposition to conformity,” then that someone is beyond correction or instruction—which, in the case of Martin Gross, is literally true, inasmuch as he is dead.
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